例句與造句

1. From here the theme was taken up by Hieronymus Osius ( 1564 ) and the English emblematist Geoffrey Whitney ( 1586 ).
2. Oxen appear also in the Latin prose version of Arnold Freitag ( 1579 ) and in the English poem by Geoffrey Whitney ( 1586 ).
3. The most significant is that of Geoffrey Whitney in his " Choice of Emblemes ", which is more a paraphrase dwelling foremost on the meaning of the fable.
4. "To Richard Cotton, Esq ., " composed by Geoffrey Whitney in 1586, which describes Combermere Abbey using the metaphor of a beehive, may be the earliest example.
5. The abbey under his ownership is the subject of what is believed to be the earliest country house poem, " To Richard Cotton, Esq ., " composed by Geoffrey Whitney in 1586.
6. It's difficult to find geoffrey whitney in a sentence. 用geoffrey whitney造句挺難的
7. Many emblematic works borrowed plates or texts ( or both ) from earlier exemplars, as was the case with Geoffrey Whitney's " Choice of Emblemes ", a compilation which chiefly used the resources of the Plantin Press in Leyden.
8. For the imposter will fall headlong, so long as he flies above the stars .'The English emblem compiler Geoffrey Whitney followed Alciato's lead in including the story and an equally fierce attack in his " Choice of Emblemes " ( 1586 ).
9. By comparison, the Phaedrus version has six emblematist Geoffrey Whitney confines the story to four lines, he adds two more of personal application :'So thou, that hunt'st for that thou longe hast mist, / Still makes thy boast, thou maist if that thou list .'
10. Latin poems based on it were written by Hieronymus Osius and Gabriele Faerno in the 16th century and in England it was included in Geoffrey Whitney's " Choice of Emblemes " ( 1586 ) and the collections of Francis Barlow and Roger L'Estrange in the late 17th century.
11. Joseph Kau suggests that Samuel Daniel had a fair amount of influence on this sonnet and that Shakespeare's immediate source of the impresa, or motto, " " Qua me alit me extinguit " " came from Geoffrey Whitney's " A Choice of Emblems " ( London, 1586)
12. In the Renaissance, Andrea Alciato included the story among his " Emblemata " under the heading " Parem delinquentis et suasoris culpam esse " ( The fault belongs alike to the wrongdoer and the persuader ) and was followed by the English emblematist Geoffrey Whitney in asserting that those who encourage a crime are equally guilty.
13. When the lion asks her how she learned to share things this way, the fox replies, " From the donkey s misfortune . " This variation is given a separate number ( 149 ) in the Perry Index and is the one followed by such Neo-Latin writers as Gabriele Faerno and Hieronymus Osius and in English by Geoffrey Whitney.